{"id":4654909,"date":"2025-11-20T15:09:55","date_gmt":"2025-11-20T18:09:55","guid":{"rendered":"https:\/\/midianinja.org\/dona-onete-na-cop30-a-voz-ancestral-da-amazonia\/"},"modified":"2025-11-25T17:03:36","modified_gmt":"2025-11-25T20:03:36","slug":"dona-onete-na-cop30-a-voz-ancestral-da-amazonia","status":"publish","type":"post","link":"https:\/\/midianinja.org\/en\/dona-onete-na-cop30-a-voz-ancestral-da-amazonia\/","title":{"rendered":"Dona Onete at COP30: the Ancestral Voice of the Amazon"},"content":{"rendered":"\n

Sarah Mascarenhas, from NINJA\u2019s Collaborative Coverage at COP30<\/strong><\/p>\n\n\n\n

Bel\u00e9m is experiencing COP30 as someone who opens their home to the world. Amid diplomatic negotiations, hurried corridors, and official speeches, there exists a territory that has never needed translation: the territory sustained by Amazonian women. It is precisely from this deep, everyday, ancestral layer that Dona Onete emerges\u2014retired teacher, composer, and guardian of herbs, rhythms, and memories that shape the silent pedagogy of the forest.<\/p>\n\n\n\n

Interviewing Dona Onete at COP30 is a lesson that the Amazon cannot be explained through the logic of data. It expresses itself in nuances of subjectivity. Her presence at the conference restores humanity to the climate debate and reminds the world of something essential: the forest is made of people. Of women who plant healing, teachers who shape generations, youth who awaken, rhythms that narrate the territory from within. Faced with a global summit that so often distances itself from real life, her voice becomes indispensable.<\/p>\n\n\n\n

The inspiring artist views COP30 with a calm yet firm hope. She sees youth awakening, teachers engaged, and the world finally looking at the Amazon with greater attention. But she reminds us that no decision will take effect if education does not once again embrace the territory and if the women who sustain the forest are not heard. For her, the COP is an important movement, but the real future continues to be planted every day along riverbanks, in the yards of herb-keepers, in improvised classrooms, and in the rhythms passed across generations. The Amazon speaks, and Dona Onete is one of its clearest voices.<\/p>\n\n\n\n

Read our full conversation with the queen of carimb\u00f3, who sings of Ver-o-Peso and exalts the wisdom of the forest, education, and youth.<\/p>\n\n\n\n

1. How does nature shape your singing and your way of being in the world?<\/strong><\/h3>\n\n\n\n

\u201cNature\u2014now that I\u2019m retired, no longer teaching or doing many of the things I used to\u2014nature is what moves me. I felt I needed to speak about everything I learned as a very young child, and now it\u2019s all coming back. We are, above all, a product of the environment, because the Amazon used to be an unknown place, and now it is becoming known. But I\u2019ve been talking about many things for a long time\u2014things people are only now beginning to research. That\u2019s what moves me. It\u2019s like saying: let\u2019s stir the waters. Then everything comes to the surface and I begin to sing, to speak in verses and prose, and to sing in my songs.\u201d<\/p>\n\n\n\n

2. In what ways does art help bring visibility to the Amazon?<\/strong><\/h3>\n\n\n\n

\u201cIt\u2019s through art that we\u2019ve been able to show and give more visibility to our Amazon, because we speak about everything we have here\u2014food, climate, everything we\u2019re talking about now. And as proof, look at what\u2019s happening. People came from everywhere to see up close what the Amazon has. If in the past men cut down trees for survival\u2014because in earlier times it was about survival\u2014now it\u2019s about greed.\u201d<\/p>\n\n\n\n

3. What role do women play in preserving Amazonian knowledge?<\/strong><\/h3>\n\n\n\n

\u201cWomen were the ones who planted the most and who still plant herbs. Here in Par\u00e1, along the rivers, you find every kind of medicinal herb. And the ones who plant these herbs aren\u2019t men, the ones who plant them are women. Men plant vegetables, cabbage\u2026 but we plant perfumes, we plant homemade medicines. And who knows? Maybe someday these plants will help cure many of the world\u2019s illnesses.\u201d<\/p>\n\n\n\n

4. What would you like the world to hear from Amazonian women at COP30?<\/strong><\/h3>\n\n\n\n

\u201cI think it\u2019s wonderful, because our youth has become interested. As an old teacher, I am happy to see teachers engaged alongside their students. They say things I never imagined. Maybe not now, but in time these young people will take care of the planet with more affection. That\u2019s what we need: to educate them to care for this legacy the COP is leaving.\u201d<\/p>\n\n\n\n

5. How do you see young people reinventing and carrying the rhythms of the Amazon?<\/strong><\/h3>\n\n\n\n

\u201cThis wisdom constantly comes from rural teachers, from women who fight for their communities. Carimb\u00f3 is the most famous music of the countryside, then comes guitarrada, lambada\u2026 Here in Par\u00e1 we have many rhythms. As a woman and a teacher, I carry the Amazon with me: I speak of rivers, of water, of ancestral movements. And now this is being recognized.\u201d<\/p>\n\n\n\n

6. Can music be a tool for caring for the planet?<\/strong><\/p>\n\n\n\n

“I believe so. At least I’m doing my part. And many singers from Par\u00e1 as well. We’re talking about the environment, about the climate, about so many things people never thought about. But it all came to the surface. If we don’t take care, what will become of our children? They’ll say we didn’t care for them, that we did nothing for them.”<\/p>\n\n\n\n

7. What legacy do you wish to leave for future generations?<\/strong><\/p>\n\n\n\n

“I’ve heard many people say that I talk too much about women. Why do I sing so much about women?<\/p>\n\n\n\n

Because I try to value our kind. Why wouldn’t I speak about us? If I don’t speak, others won’t. I value women, | lift us up. It’s not just the icing on the cake-l talk about the filling and the icing, I talk about women.<\/p>\n\n\n\n

Women being more respected, families respecting each other more, and schools taking part too-teaching about family, about the city, about how Par\u00e1 began and how many peoples mixed to form this wonderful place.”<\/p>\n","protected":false},"excerpt":{"rendered":"

The master of Par\u00e1\u2019s popular culture speaks about nature, art, education, and the role of the women who sustain the forest<\/p>\n","protected":false},"author":9312,"featured_media":4654048,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","newspack_ads_suppress_ads":false,"newspack_popups_has_disabled_popups":false,"newspack_sponsor_sponsorship_scope":"","newspack_sponsor_native_byline_display":"inherit","newspack_sponsor_native_category_display":"inherit","newspack_sponsor_underwriter_style":"inherit","newspack_sponsor_underwriter_placement":"inherit","rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"yes","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","_themeisle_gutenberg_block_has_review":false,"_primary_brand":0,"_newspack_byline_active":false,"_newspack_byline":"","footnotes":""},"categories":[21176],"tags":[],"brand":[],"newspack_spnsrs_tax":[],"marcador_afluente":[],"marcador_especial":[21084],"coauthors":[21111],"class_list":["post-4654909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","marcador_especial-cop30"],"yoast_head":"\nDona 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